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Is that how all relationships feel? Perhaps. I didn’t have any models of successful, long-term lesbian relationships.īut it seemed impossible to envision a happy ending for us. While I was thrilled they existed, these rom-coms all seemed to take place in New York City, Los Angeles, San Francisco, or other coastal cities known for their liberal politics. I desperately wanted to see a love story like mine. I think it's gonna be really fun to see more filmmakers being able to explore stories that you don't have to worry about the straight gaze.I wanted to read about a couple whose conservative surroundings made their love seem all but impossible, but it blossomed anyway. To go back to your question about what we want the landscape (post-"Fire Island") to look like: I think being able to get out of the (idea) that queerness has to be radical. They see two men together, kissing, and that image is still radical. Phillips: We were talking about a little bit what how accessible it was. I've been doing a teen CW show, right? I'm playing a queer character in that, and already I see how people hold on to these images so desperately. Is there anything else that you really want people to know? You can really bolster each other and be thankful that you're there for each other, so go somewhere, have fun. On a kind of silly level, I really hope that people go on vacation with their friends, that you celebrate each other and community care, self care.
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What do you hope a post-"Fire Island" world looks like? Not to put any pressure on your shoulders, but it seems like it's the kind of movie that could really have a profound effect on the way people think about how we tell queer stories on film.Īhn: My hope is that we inspire more people to tell their story, whether it's through film or art, or writing, or just telling a friend. I think expression is so important to the queer community. Movie review: High praise to the danger clone that is 'Top Gun: Maverick' It was something that they came to the scene ready to really talk about, the differences of their experiences. Joel was kind of pulling some things from their real life friendship into the film. Andrew, what went into presenting that dynamic truthfully?Īhn: This is something that Joel and Bowen talked a lot about. One of my favorite scenes in the movie is when Noah, Joel Kim Booster's character, and Howie, Bowen Yang's character, have this intense come-to-Jesus moment. Howie gives Noah a reality check that, even as they have solidarity in being outsiders as Asian American men, the gay world still doesn't perceive them the same. Ready Eric Webb's interview from 2021: Margaret Cho on her comedy children and 'Face/Off'
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Much of the cast are kind of versions of themselves in this movie, but Zane is not. Phillips: When you're on the outside, you have sort of a punitive view of those who find themselves on the inside, and that can that can really destroy someone.Īhn: The thing about working with Zane is that, as much as he's playing a pretty sneaky character, he is the sweetest man. violates that safe bubble in which we can enjoy ourselves. It is celebrating the fact that we freely and consensually come together with our bodies. You know, every step of the way, this movie is sex positive. I think that's sort of the same thing with Dex to an extent, right? He has taken on this outsider status, and for him, there's an element of trying to use that to his own gain. Friendship, it's so easy to see on screen if it's false. You can sniff it out.
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On set, I really wanted to make sure that we had a great time. It was a real treat to read the screenplay and to be a part of something that celebrates chosen family, queer joy. That, for me, was was always my north star. I hadn't gone out dancing with friends, and gone out drinking just, you know, being stupid. I had received the script a year into the pandemic and was really lonely. I recognized that very early on through the process that like, "Oh yeah, this was a rom com, and I love the romance in this, but it's really about chosen family and friendship." But for Joel to shift the central relationship of the story to (the analogues for) Lizzie and Jane felt really queer to me, and for a modern audience. A lot of people think of "Pride and Prejudice" as a romance. Andrew, how did you go about creating that sense of warmth onscreen?Īndrew Ahn: I think that that was a big part of Joel's brilliance with this adaptation. It's lovingly rendered with the main friend group. Read Eric Webb's interview from 2019: Joel Kim Booster wants you to talk about sexĪmerican-Statesman: I want to ask about the aspect of found family in the movie, which I found very compelling. We caught up with Ahn and Phillips before the debut of "Fire Island." This interview has been edited for length and clarity.